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Troupe, Quincy, 1971 - 1988

 Item — Multiple Containers

Scope and Contents

Poet and journalist Quincy Troupe delivered 11 lectures over a 17 year period. Troupe spoke on 11/18/1975 (2015-0002/RR281), 1/24/1978 (2015-0002/RR282), 2/5/1980 (2015-0002/RR283), 3/24/1981 (2015-0002/RR284) 2/1/1983 (2015-0002/RR285), 1/31/1984 (2015-0002/RR286), 2/25/1986 (2015-0002/RR287), 1/27/1987 (2015-0002/RR288), 3/22/1988 (2015-0002/RR289), 4/12/1971 (2015-0002/RR313), and on an unidentified date (2015-0002/AC25).

AC 25 [Difficult to hear speakers over the sound of the recording machine. No program on B side.]

RR 281 Hale Smith has several class announcements before introducing Mr. Quincy Troupe. Mr. Troupe speaks about some of the changes in African American and World literature and then reads some of his own work.

RR 282 Edward O'Connor describes the format of the class and expectations prior to introducing the instructor for the course, Hale Smith, who then introduces the evening's speaker (who is running late). Mr. Quincy Troupe speaks a little about himself and reads some of his work.

RR 283 Introduced by Hale Smith, Quincy Troupe reads poetry to the class.

RR 284 Hale Smith introduces critic, editor, writer and poet, Quincy Troupe. Mr. Troupe provides some personal background, piece of which come through in his writings.

RR 285 Hale Smith introduces Quincy Troupe. Mr. Troupe speaks to the class on the topic of writing and the difference between writing fiction and poetry. He then reads from the first chapter of the novel his is currently writing.

RR 286 Edward O'Connor introduces Quincy Troupe whose presentation included a discussion the African American experience in art in this country and readings from his writings.

RR 287 Leon Bailey introduces Quincy Troupe who talks a little about himself and reads some of his work, discussing the American literary scene.

RR 288 Edward O'Connor introduces the principal instructor of the course for the semester, Leon Bailey (Dramatic Arts), as well as sharing information and announcements about the course. Bailey introduces Quincy Troupe whose presentation (begins ~ 0:10:10) topic focuses on his work in his own words and living out and inside of one's dreams.

RR 289 Leon Bailey introduces author and professor Quincy Troupe. Troupe discusses with the classes his recent work with contemporary, public heroes such as Miles Davis, Michael Jackson, and James Baldwin.

RR 313 Introduced by Professor James Eversole. Troupe, presently a Writer-in-Residence at Ohio University, speaks about what is going to be happening with writers in the 1970s in America, Latin America, the Caribbean Islands and Africa. He plans to follow by readings from his work.

Dates

  • 1971 - 1988

Conditions Governing Access

Links to digitized content are included in the finding aid.

Biographical / Historical

Quincy Thomas Troupe, Jr. was born July 22, 1939. As a teenager in 1955, he recalled hearing Miles Davis at a St. Louis, Missouri, fish joint, where some fellow patrons identified the 78 rpm juke-box record as "Donna", which was Davis' first recorded composition.

As a young man Troupe was athletic and attended Grambling State University on a basketball scholarship. However, after his first year he quit and subsequently joined the United States Army, where he was stationed in France and playing on the Army basketball team. While in France he had a chance encounter with the noted French Existentialist philosopher, Jean-Paul Sartre, who recommended that Troupe try his hand at poetry.

When he returned to civilian life, Troupe moved to Los Angeles, where he became a regular presence at the Watts Writers Workshop and began working in a more jazz-based style. It was on a tour with the Watts group that he first began his academic life as a teacher. The Watts Writers Workshop was located in a building that also had a theater, allowing members to do readings, workshops, plays and presentations. It was a meeting point for many in the Black Power movement, Black Arts Movement and the civil rights movement and through it Troupe met many individuals involved in other cities including Ishmael Reed (Umbra Group) and James Baldwin. In 1968, Troupe edited the anthology Watts Poets: A Book of New Poetry and Essays.

His work is associated with Black Arts Movement writers such as Amiri Baraka, Nikki Giovanni, Wanda Coleman, Haki Madhubuti and Ishmael Reed, who were also friends. Their work was diverse but was strongly informed by world literature and jazz music.

Throughout the 1970s Troupe lived in New York, teaching at the College of Staten Island. During that time he was a regular on the poetry circuit, performing alone or in groups around the country.

In 1985 Spin magazine hired Troupe to write an exclusive two-part interview with Miles Davis, which led Simon & Schuster to him as co-author for Davis's autobiography. Miles: The Autobiography was published in 1990 and won an American Book Award for the authors, garnering them numerous positive reviews and accolades.

From 1991 to 2003 Troupe was professor of Caribbean and American literatures and creative writing at the University of California, San Diego, in La Jolla, California.

On June 11, 2002, Troupe was appointed California's first poet laureate by then Governor Gray Davis. A background check related to the new political appointment revealed that Troupe had, in fact, never possessed a degree from Grambling; he attended for only two semesters in 1957–58 and then dropped out. After admitting that he had not earned a degree, he made the decision to resign, rather have it become a political issue for the Democratic Governor. As a consequence, Troupe resigned from the poet laureate's position in October 2002 and retired from his post at UCSD.

Shortly after the controversy, Troupe moved back to New York City.

The year 2006 saw the publication of his collaboration with self-made millionaire Chris Gardner on the latter's autobiography, The Pursuit of Happyness. The book served as the inspiration for a film of the same name later that year starring Will Smith.

Other notable works by Troupe include James Baldwin: The Legacy (1989) and Miles and Me: A Memoir of Miles Davis (2000). He also edited Giant Talk: An Anthology of Third World Writing (1975) and is a founding editor of Confrontation: A Journal of Third World Literature and American Rag.

Troupe lives in New York City.

[https://en.wikipedia.org/wiki/Quincy_Troupe / https://archives.nypl.org/scm/21170]

Extent

10 Reels (Magnetic tape audio recordings) : RR 281 01:04:26/00:08:30; tape speed 3¾ IPS; track position ½-Track Mono; Substrate: Polyester. The combined run time of the digital recording is 01:12:52. RR 282 1:04:30; 1:03:49; tape speed 3¾ IPS; track position ½-Track Mono; Substrate: Polyester. The combined run time of the digital recording is 02:08:15. RR 283 01:25:39; tape speed 3¾ IPS; track position ½-Track Mono; Substrate: Polyester. RR 284 01:09:17; tape speed 3¾ IPS; track position ½-Track Mono; Substrate: Polyester. RR 285 01:20:13; tape speed 3¾ IPS; track position ½-Track Mono; Substrate: Polyester. RR 286 01:19:20; tape speed 3¾ IPS; track position ½-Track Mono; Substrate: Polyester. RR 287 01:17:14; tape speed 3¾ IPS; track position ½-Track Mono; Substrate: Polyester. RR 288 01:17:31; tape speed 3¾ IPS; track position ½-Track Mono; Substrate: Polyester. RR 289 01:19:07; tape speed 3¾ IPS; track position ½-Track Mono; Substrate: Polyester. RR 313 01:00:03; tape speed 3¾ IPS; track position ½-Track Mono; Substrate: Polyester.

1 Cassettes (Audio cassette recording) : AC 25 00:31:18; 0:14:05; no program on Side B

Language of Materials

From the Series: English