Pearl Williams-Jones lectures at the University of Connecticut.
- 1970 - 1984
Singer, pianist, and professor of music Pearl Williams-Jones delivered several lectures over a 14 year period.
She spoke to the Black Experience in the Arts course on 10/12/1970 (2015-0002/RR301) 9/28/1971 (2015-0002/RR302), 4/26/1977 (2015-0002/RR303 reel 1), (2015-0002/RR304 reel 2), 4/25/1978 (2015-0002/RR305), 4/8/1980 (2015-0002/RR306), 4/21/1981 (2015-0002/RR307) 4/20/1982 (2015-0002/RR308), 4/10/1984 (2015-0002/RR309 copy 1), and (2015-0002/RR310 copy 2), and an audio cassette recording that is undated.
Biographical / Historical
Pearl Williams-Jones (née Williams) (June 28, 1931 – February 4, 1991) was an American gospel musician and was considered a leading authority on African-American gospel music.
A native of Washington, D.C., Williams was the daughter of Smallwood Edmond Williams, pastor of the Bible Way Church of Our Lord Jesus Christ. She attended public schools in the District, graduating from Charles Young Elementary, Brown Junior High School and Dunbar High School. She studied piano with Hazel Harrison and Natalie Hinderas while attending Howard University, from which she received both a bachelor's degree and a master's of music, and from which she graduated magna cum laude. She served as minister of music at her father's church and performed as a singer and pianist throughout the United States and Europe, appearing in such venues as Carnegie Hall, Lincoln Center, the Kennedy Center, Wigmore Hall in London and the Suphiensalle in Munich. A well-regarded scholar of gospel music, she spent decades as a professor of music at the University of the District of Columbia, where she developed the first degree program in the United States dedicated to the study and performance of gospel. She taught jazz history and music appreciation as well, and directed the university's gospel choir. She served as a technical advisory on the film Say Amen, Somebody. For two decades she consulted with the Smithsonian Folklife Festival, and worked as an administrative staff member of its African Diaspora Advisory Group. Williams-Jones published a number of works, including a study of the work of Roberta Martin written with Bernice Johnson Reagon. As a composer she was especially known for her performance of "Jesus, Lover of My Soul" to the accompaniment of Johann Sebastian Bach's "Jesu, Joy of Man's Desiring".
Williams-Jones received an honorary degree from Lynchburg College in 1972. She died in 1991.
[https://en.wikipedia.org/wiki/Pearl_Williams-Jones / https://www.washingtonpost.com/archive/local/1991/02/09/gospel-community-loses-a-pivotal-voice/b2711efd-697b-493b-bbe4-ebe0562e779b/ / https://myspiritdc.com/1043248/washington-dc-ready-to-honor-dr-pearl-williams-jones/ ]
10 Reels (Magnetic tape audio recordings)
1 Cassettes (Audio cassette tape recording)
Existence and Location of Originals
Original audio recordings reside in the University of Connecticut, Black Experience in the Arts Collection, Archives & Special Collections, UConn Library.
- African American gospel singers Subject Source: Fast
- African American musicians Subject Source: Fast
- African American women educators Subject Source: Fast
- African Americans Subject Source: Fast
- African Americans in popular culture Subject Source: Fast
- Black Experience in the Arts Course (University of Connecticut) -- Sound recordings Subject Source: Local sources
- Pianists Subject Source: Fast